| DC Field | Value | Language |
|---|
| dc.contributor.author | Šoškić, R. V. | - |
| dc.date.accessioned | 2024-11-13T09:56:29Z | - |
| dc.date.available | 2024-11-13T09:56:29Z | - |
| dc.date.issued | 2024 | - |
| dc.identifier.citation | Šoškić, R.V. "The Society of the Spectacle”: a Diagnosis of (Post)Modernity and Its Challenges / R.V. Šoškić ; University of Pristina in Kosovska Mitrovica, Serbia // Научный результат. Сер. Социальные и гуманитарные исследования. - 2024. - Т.10, №3.-С. 20-26. - Doi: 10.18413/2408-932X-2024-10-3-0-2. - Refer.: p. 26. | ru |
| dc.identifier.uri | http://dspace.bsu.edu.ru/handle/123456789/63947 | - |
| dc.description.abstract | This paper critically examines the complexities of contemporary society through the theoretical framework of Guy Debord’s The Society of the Spectacle (1967), highlighting how modernity has transformed individuals from passive observers of the world to egomaniacal creators of their own reality, ultimately leading to a sense of alienation and existential unease | ru |
| dc.language.iso | en | ru |
| dc.subject | philosophy | ru |
| dc.subject | history of philosophy | ru |
| dc.subject | philosophy of France | ru |
| dc.subject | spectacle | ru |
| dc.subject | society | ru |
| dc.subject | Guy Debord | ru |
| dc.subject | reality | ru |
| dc.subject | postmodernity | ru |
| dc.title | "The Society of the Spectacle”: a Diagnosis of (Post)Modernity and Its Challenges | ru |
| dc.type | Article | ru |
| Appears in Collections: | Т. 10, № 3
|
