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Please use this identifier to cite or link to this item: http://dspace.bsu.edu.ru/handle/123456789/42053
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dc.contributor.authorSayyed Ali Mirenayat-
dc.contributor.authorElaheh Soofastaei-
dc.date.accessioned2021-06-18T13:58:42Z-
dc.date.available2021-06-18T13:58:42Z-
dc.date.issued2015-
dc.identifier.citationSayyed Ali Mirenayat. The demonic grotesque in Flannery O’Connor’s Everything That Rises Must Converge / Sayyed Ali Mirenayat, Elaheh Soofastaei // Научный результат. Сер. Вопросы теоретической и прикладной лингвистики. - 2015. - Т.1, №3(5).-С. 69-72. - doi: 10.18413 / 2313-8912-2015-1-3-69-72. - Refer.: p. 72.ru
dc.identifier.urihttp://dspace.bsu.edu.ru/handle/123456789/42053-
dc.description.abstractThis paper surveys the grotesque as a main genre in American Literature which is mostly connected with satire. It defines the grotesque from the gothic to the textual analysis o f the collection o f short stories in Everything That Rises Must Converge (1965) as a short fiction b y F lannery O’Connor, the twentieth century American writer. He has created great tragi-comedy fictions in Southern Gothic. This paper also tries to place O’Connor’s fiction as a great example o f the demonic grotesque within the framework o f the American gothic. Totally, this paper studies this book on the characteristics which depict the demonic grotesqueru
dc.language.isoenru
dc.subjectliterary criticismru
dc.subjectAmerican literatureru
dc.subject20 centuryru
dc.subjectamerican writeru
dc.subjectFlannery O ’Connorru
dc.subjectsatireru
dc.subjectgrotesqueru
dc.subjectgothic literatureru
dc.subjectdemonic grotesqueru
dc.titleThe demonic grotesque in Flannery O’Connor’s Everything That Rises Must Convergeru
dc.typeArticleru
Appears in Collections:Т. 1, вып. 3

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